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EDITOR'S COMMENTS:
The notes in this web exhibit are in direct response to a retrospective art exhibit sponsored by Drs. Camille O. And William H. Cosby, Jr., in Atlanta Georgia, during the summer Olympics of 1996. This was one of two African American fine art exhibits sponsored by the Cosby family that same year. Both shows were in Atlanta and both exhibits were showing at the same time. This was truly a historical moment in African American Art, since the records show that this is probably the first time any African American Art Collector has sponsored several art exhibits on such a scale at one time. The art Exhibits were only one part of the Cosby presentation. Earlier they had given money for a new building at Atlanta University. The dedication concerning this project took place during the same summer, 1996. (to the bottom)
The total text of three essays from the original Apex Museum "On My Journey Now" catalogue have been included: Dr. David C. Driskell and Gladys E. Rodgers, guest curators and Steven L. Jones, guest historian. Part of the Forward and Introduction were included as well.
Dr. David C. Driskell's track record is legendary. He is America's most noted authority on African American Art.
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CONTRIBUTION OF THE ARTIST:
This project would not have run so smoothly, had it not been for records made by the artist himself. Over the years Clark methodically recorded his paintings on film, covering six decades of work. The photographs were labeled so that information concerning title, size, medium and date work was completed, was readily available to researchers. The prints were not the best, but with modern technology we were able to make color corrections and bring out the best. (to the bottom)
FORWARD:
......Since Clark moved to Oakland, California in 1958, he has continued to be an important practicing artist, a mentor and much sought after teacher in the Bay Area [San Francisco / Oakland Bay Region]. This exhibition pays tribute to a legendary artist, now 81, who gives the viewer an interpretation of life that is convincingly meaningful........
INTRODUCTION:
......His dance scenes such as "Jumpin Joint", Boogie Woogie" and Jam Session" explore a fresh and vibrant new world of ceaseless energy and expression for young Blacks in the big cities. His bold brush strokes [correction.... Pallet knife strokes] create exaggerated movement and playful exploration of compositions. (to the top)
.....In the fifties and sixties, Clark's themes began to change as a result of his many travels abroad to Africa and the Caribbean Islands......In numerous compositions from this period, Clark expresses sensitive concern for Black people whose problems in life are conditioned by their labor and the toil they show on their faces. And by viewing these magnificent works, we are able to place ourselves in history. Clark's earlier work serves as a reminder of these episodes from history. These works define the culture roots of Black people in America and African Diaspora........
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Revised: June 20, 1999. Music by Charlie "Bird" Parker titled "My Little Suede Shoes" from "South Of The Boarder" Polygram Records Inc. Copyright © 1997 by Vai Prints & Publications. All trademarks or product names mentioned herein are the property of their respective owners. (to the top)
